I count Nicholas Laughlin as one of my cyberfriends, though I think we really met over the telephone during the last CARIFESTA (such arts festivals are always, truly, such a waste of time, are they not? They make no connections, advance no careers, clearly, and they are so much a waste of money that we prefer to spend our millions on, oh, Miss Universe. But I digress.) Since then we’ve been communicating and collaborating online, and he has been a champion of tongues of the ocean.
Anyhow, Nicholas is the valiant editor of the Caribbean Review of Books, which he continues to publish in the face of opposition, failing finances, exhaustion, fed-upness, etc.
In the spirit of massive support that he’d already established, he recently interviewed me about tongues. Go check it out.
And then, if you like it, go subscribe to the Caribbean Review of Books.
Many Antilles readers are familiar with tongues of the ocean, an online poetry journal based in the Bahamas, which was launched in February 2009. Edited by poet and playwright Nicolette Bethel, and focused on poetry from the Caribbean and its diasporas, tongues plans to publish three issues per year, with the contents of each issue appearing gradually week by week.
Soon after the second issue of tongues — dated June 2009 — began appearing, Bethel answered some questions via email about the journal’s background, influences, and modus operandi.